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There Was a Little Girl: The Real Story of My Mother and Me, by Brooke Shields
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Actress and author of the New York Times bestseller Down Came the Rain, Brooke Shields, explores her relationship with her unforgettable mother, Teri, in her new memoir.
Brooke Shields never had what anyone would consider an ordinary life. She was raised by her Newark-tough single mom, Teri, a woman who loved the world of show business and was often a media sensation all by herself. Brooke's iconic modeling career began by chance when she was only eleven months old, and Teri's skills as both Brooke's mother and manager were formidable. But in private she was troubled and drinking heavily.
As Brooke became an adult the pair made choices and sacrifices that would affect their relationship forever. And when Brooke’s own daughters were born she found that her experience as a mother was shaped in every way by the woman who raised her. But despite the many ups and downs, Brooke was by Teri’s side when she died in 2012, a loving daughter until the end.
Only Brooke knows the truth of the remarkable, difficult, complicated woman who was her mother. And now, in an honest, open memoir about her life growing up, Brooke will reveal stories and feelings that are relatable to anyone who has been a mother or daughter.
- Sales Rank: #96234 in Books
- Brand: Brooke Shields
- Published on: 2014-11-18
- Released on: 2014-11-18
- Original language: English
- Number of items: 1
- Dimensions: 9.28" h x 1.42" w x 6.29" l, 1.20 pounds
- Binding: Hardcover
- 416 pages
Amazon.com Review
An Amazon Best Book of the Month, November 2014: In her previous memoir, Down Came the Rain, Brooke Shields described her post-partum depression so frankly and powerfully, she probably helped a lot of women, even if she did annoy fellow actor Tom Cruise, who disputed Shields’ contention that anti-depressants are helpful. The only person she might have upset with her new memoir, however, is her late mother, Teri Shields, who, on almost every page, is outed as a serious alcoholic and “a tough broad who could fight.” (Ok, onetime boyfriend, Liam Neesen doesn’t come off so great, and ex-husband Andre Agassi isn’t going to be thrilled, either—but at least Brooke was nicer to the latter than he was to her in his memoir, Open.) Still, Shields-the-daughter also praises the complicated working-class beauty she both adored and abhorred—sections about Teri fighting for her minor daughter’s rights while on the New Orleans set of “Pretty Baby” live next to suggestions that Teri might have chosen the hotel the family stayed in because of its proximity to a favorite bar. As an adult, Brooke (who as a child called legendary fashion photographer Francesco Scavullo “uncle Frankie”) rotated between estrangement from and reconciliation with her mother; today, she thinks plenty about their relationship as she and writer/producer Chris Henchy raise their two daughters. In other words, what could have been a next-generation Mommy Dearest becomes something else: a (sometimes painfully) frank account of growing up in a seriously privileged but painfully dysfunctional family and how one might possibly break such a cycle. –Sara Nelson
Review
Praise for�There Was a Little Girl
“Shields writes with considerable reflection; she's done the hard work of making sense of the contradictions in her mother, and now we get the benefit of her sharing what she's learned.” --�Kirkus Reviews
"[A] well-crafted and insightful read from beginning to end...a thoughtful poignant and provoking story about a girl and her mom...a remarkably clear-eyed examination." -- Associated Press
"This story of Brooke's career as a model and actress unfolds from the perspective of an adult child of an alcoholic. Her voice in this memoir is unguarded and raw and deals head-on with the damage alcohol causes in intimate relationships. For a celebrity of her stature to write so honestly and intelligently about emotion wounds is a refreshing change. The book will appeal not only to Shields fans, but also to readers who seek out memoirs about surviving dysfunctional families. Brooke Shields is still our sister, just more real and imperfect." -- BookPage
"A raw, honest tale of a mother and daughter that will appeal not only to celebrity watchers but mothers and daughters." --�Library Journal
About the Author
BROOKE SHIELDS is an award-winning actress and New York Times bestselling author. She lives in New York City with her husband, writer and producer Chris Henchy, and their two daughters.
Most helpful customer reviews
76 of 83 people found the following review helpful.
Quite Unexpected
By Laura D
I never expected to feel such pity -- indeed, ANY sympathy -- for a beautiful celebrity with plenty of money, but all I can say is, where were the people who were supposed to be around protecting this little girl? No doubt there would have been a dreadful custody battle if Brooke Shields' wealthy dad had tried to get her away from her mom, for good, and also, the mother and child were so symbiotically entwined it would have been a horrible emotional trauma for both, but to what end? Yes, the child had a successful and controversial career as a cause celebre, her preternaturally pretty face plastered all over every magazine I picked up when I was in high school and she was scarcely of junior high school age, but for all the glamour and perks it won her (surely plenty of free makeup and clothes, exciting travel and unusual experiences for a kid, and plenty of positive attention from the people at the modeling studios and movie sets where she worked), Brooke still comes across as a sad, pitiful, even sometimes a lonely little girl, much too needy of her Mommy (who with determination saw to that!), struggling to make friends with the aloof little rich girls in the New York and New Jersey private schools who enviously kept their distance at first. This persona, this emotionally needy infant stunted by her mom's dominance was continued throughout college, and that's really sad-- imagine having to go home every weekend and have Mom come to campus every week because one is so scared and lonely at a campus barely an hour away from home, at the age of eighteen and nineteen. Not to mention having her Mom's emotional ghost hovering over every situation with a boyfriend, at an age where girls are finding their independence and exploring their first adult relationships.
One has to read between the lines of this book because Shields, either employing a good ghostwriter or quite a remarkable authoring talent herself, prevaricates on every page: how good Mommy was to her, how much she and Mommy needed one another, how much Mommy sacrificed for her and loved her. Well, this love was skewed not only by Teri Shields' pathetic struggle with alcoholism -- what an onerous burden to put upon a child -- but, let's face it: as much as Shields insists she wasn't harmed by her prepubescent sexpot image, "didn't know what those words meant or what everyone was talking about" and "didn't mind" posing nude on movie sets or being put in loaded, controversial situations as film plots when barely into adolescence -- WHAT mother lets her daughter do this? If Brooke wasn't forced or coerced -- and she insists she wasn't -- was it still right to encourage a child to agree to this so they'd have money and a successful career for a girl as long as her beauty -- and apparently also her extreme youth -- held out? No matter how fiercely angry and hurt Shields gets at the salacious, cruel opinions written about her mother, saying "they weren't fair", how can anyone out there with any empathy for children and young girls feel otherwise? So Pretty Baby was an "artistic" movie -- I saw it years later on video; it's interesting, beautifully filmed, and painfully difficult, even sickening, to watch at some points because they used a "real little girl" in the part instead of an adept and youthful-looking actress in her late teens, but I just can't consider prettying up such a grim subject matter as "art". Therefore, I wouldn't call Tilt, Just You and Me, Kid, and Wanda Nevada "art" -- she was either being rescued from lecherous middle aged men by a thankfully harmless old man; won in a gambling match held by lecherous middle aged men; or very obviously the eventual love interest of a 30ish man as "Wanda" in the Western she filmed when still 13. For as many of us who shrug off, "Well, it was the 1970's," there are plenty of us who remember with a shuddering wince just how ghastly all that permissive hedonism could be, and no matter how mentally tough and mature a little girl could make herself in order to act these roles -- she WAS still only a kid.
No mention is made of "the photos" Brooke posed for at the age of 10. I saw those on-line once. They made my blood run cold. How could ANY mother declaring such love for her child have done this. . . . ?
What made me, this reader, feel sorriest of all for how unprotected Brooke was on movie sets was that weird mafia-mob sort of situation going on in New Orleans during the Pretty Baby filming, when her mother was being threatened -- I couldn't quite untangle why -- and even more so, in the film made later that 1977-78 year, allowing Eric Roberts as the teenage King of the Gypsies to drive the car crash, no stunt people doubling for either himself or Brooke so that they came dangerously close to being maimed or killed themselves. Where were the authorities supposed to be protecting this child? Was it really that careless, that laissez-faire, that liberally permissive in that era that kids were just used and thrown away like puppets during a dangerous filming stunt? Well, there WAS Vic Morrow and those poor little Vietnamese children, all being decapitated by the helicopter blades. I think that movie was being filmed around that time. And was released.
Interesting point about this book: Brooke evasively, even primly, glosses over much detail about that difficult childhood, whether ducking her mother's alcoholic messes (Teri swearing at and name calling her own bread and butter, insulting the very child who devotedly supported her) or just what-all was said to and around Shields on those movie sets (and I consider Blue Lagoon and Endless Love much less harmful; she was 14 and 15 years old at the time, had teenage love interests cast as her leading male characters, and the movies, however overwrought and goofy the plots despite the better novels they were based on, were deliberately intended to be the sexy "make out" movies for other teens to see on dates. High schoolers saw Carrie, The Exorcist, Taxi Driver, or Little Darlings with the same accepting ennui.) But, to get back to the point, after skirting around the controversial preteen years, Brooke as a writer -- hopefully her own talent and not a ghost's-- gets to the meat of her reminisces and the writing gets downright eloquent, especially at the point of the marriages and childbirth, and most of all her mother's deterioration, demise, and death. It was very finely done and dramatically moving, and having an elderly widowed mother and dying in-law parents myself, it cut right to the core and I broke down and cried. For all of the faults of avoidance, for all the refusal to blame a mother who was far from the decent ideal of a mother to her, (no matter how intense the love), this was a very brave book in its last chapters.
52 of 58 people found the following review helpful.
Great autobigraphy
By Ellie
I enjoyed this autobiography very much. I always wondered what the relationship between Brooke Shields and her mother was like. There were so many rumors about Teri being the ultimate stage mom and being unwilling to let Brooke make any decisions for herself. Not only are Teri's own background and life story revealed, but Brooke tells of her own less-than idyllic childhood. Teri's alcoholism affected the relationship as well as her self-esteem issues. Brooke ultimately forgave her mother after a period of estrangement and was by her mother's side when she died. Sad but some humorous moments.Many old photos as well as some of Brooke's family now.
37 of 44 people found the following review helpful.
If you begged your mom for Calvins, you'll enjoy this book...
By BookLover
I had been looking so forward to reading this. I can't quite put my finger on why, but the feel of this memoir is so different than the one prior. She appears honest enough in the situations she recalls, but still seems to be holding a lot back in regard to her relationship with her mom.
I didn't expect, nor want to read a scathing "tell all"~ Something is just void.
Maybe she is guarded to preserve her mother's memory?~Maybe she is guarded to avoid hurting someone else in her family?~Maybe even self preservation.
There is nothing obviously wrong with the book other than a minor typo or two. It's just not as authentic as when she poured out her soul when writing about her struggle with Post Partum Depression. Maybe she set the bar really high with that one.
If you grew up in the era of Brooke Shields and her Calvins, you'll most likely enjoy this book. Most of us heard rumors of the relationship between Brooke and her mother, so nothing is really a shocking surprise in this story. I guess her objective is for people to sympathize with her mother more?
Just guessing here.
I don't think anyone at this point anyone is thinking about her mother in a harsh view almost 40 years later. Is defending or explaining her mother necessary today. This book would have been major a couple decades ago, but the relevancy of it today is a little hard to understand. Perhaps, she didn't want to write it while her mother was still alive. Then again, there is nothing really controversial in it.
I don't this the author's intention was in any way to make herself seem more relatable, but it turned out that way. I've always liked her, but this does make her appear more down to earth. I hadn't realized her sense of humor before, or that she is really humble~This book really brings those qualities to light.
Overall, I appreciate what she is trying to do in this book. Something is lacking, but it still makes an interesting read.
Brooke Shields is still lovely, but if you were a fan of hers in the 70s~ You'll probably love this book.
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